Sony FX3 Full-Frame Cinema Camera Black

Image sensor with blazingly fast readout speed

The back-illuminated full-frame Exmor R™ CMOS sensor boasts a blazingly fast data readout speed along with high sensitivity and wide dynamic range. An advanced colour filter array boosts colour reproduction accuracy, while focal plane phase-detection AF enables solid autofocus stability and excellent precision, all of which contribute to outstanding image quality

High-performance image-processing engine

The BIONZ XR™ image-processing engine is designed for high speed, minimising latency while providing impressive real-time processing capabilities. The engine performs real-time processing of AF, image recognition and image quality adjustments, while also handling data transfer, user interface and other camera operations

High sensitivity, wide dynamic range

The full-frame sensor enables high sensitivity with low noise throughout the camera's range by optimising the sensor's output. Capture clear motion even in low light conditions with an impressive ISO expanded range up to 409600. It has an extended dynamic range of 15+ stops1, without blown highlights. Together, the camera's high sensitivity and wide dynamic range expand your flexibility in post-production 

4K High Frame Rate 120fps recording

You can record full-frame 4K (QFHD) at up to 120fps 2 with autofocus thanks to the high-speed readout capabilities of the image sensor and the powerful BIONZ XR processor. Even at high frame rates, 4K (QFHD) images are captured using full-pixel readout without binning, for clear post-produced slow motion (up to 5x slower than real time) 3 . The high-precision AF even allows beautiful full-frame bokeh to be achieved during slow-motion shooting

Acclaimed cinematic colour with S-Cinetone

The inclusion of Sony's acclaimed S-Cinetone look, inherited from the development of the FX9, allows cinematic colour to be achieved directly in-camera. S-Cinetone is optimised for natural skin tones and mid-range colours, with gentle highlight roll-off, for impressive subject depiction even without post production grading.[1] Standard (Picture Profile OFF) [2] S-Cinetone (Picture Profile 11)

All-Intra internal recording

In addition to Long-GOP inter-frame compression, internal intra-frame (All-Intra) recording is supported4. XAVC S-I recording compresses each frame independently at a high bitrate, up to 600 Mbps, so is ideal for capturing complex motion, and allowing maximum flexibility and playback performance during post-production.[1] All-Intra (All-I) [2] Long-GOP 

HEVC codec with high compression efficiency

XAVC HS format recording, using the MPEG-H HEVC/H.265 codec, roughly doubles the compression efficiency. Compared to a normal 4K XAVC S format, XAVC HS allows for detailed 10-bit video with 4:2:2 colour sampling at comparable or lower data rates, delivering even better image quality as well as manageable file sizes 

New S-Log shooting modes for optimised image quality

Three modes are provided for recording with the S-Log3 gamma curve. Cine EI 7 , used in Sony's high-end Cinema Line models, offers wide latitude and the highest possible image quality. Eine EI Quick 8 simplifies setup by automatically switching the camera's base ISO according to the selected Exposure Index (EI). And Flexible ISO provides the greatest flexibility for exposure settings. In addition, Sony's s709 has been added to the available LUT presets.

Proxy recording for more efficient editing workflow

Low bit-rate HD proxy files can be recorded simultaneously with higher bit-rate formats such as XAVC S-I 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files can be captured in either 10-bit XAVC HS (1920 x 1080) or 8-bit XAVC S (1280 x 720) 

Expand your vision with Creative Look

Looks emulate pro monitoring and post-production tools inside the camera. The Creative Look presets are available in-camera, and each of these can be used as is, or further customised using individual parameter settings such as hue, colour depth, brightness, contrast, and sharpness. Fine adjustment of preset looks can be made according to the user's preference, and you can also register your favourite settings as a custom look

10-bit HLG picture profile

An HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 colour space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout and less whiteout, all without the need for colour grading. In particular, 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism.[1] High flexibility to fine-tune images as desired (colour grading required) [2] Instant high-quality image (colour grading not required)  

Fast Hybrid AF for dependable focus during movie shooting

Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field. AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as demanded by professional users.

Fast, easy and reliable Real-time Tracking and Eye AF

Focus control is fast and intuitive, to ensure you have full creative control of the FX3's powerful AF technology. Real-time Tracking greatly assists during solo shooting by analysing the subject's colour, patterns, and depth. When shooting people, Real-time Eye AF makes movie-making much easier, especially with gimbal-mounted shots and wherever you need to rely on AF

Fast, easy touch-focus control

Touch focus control allows you to precisely specify the point of focus simply by touching the LCD monitor. It's fast, easy, and intuitive to perform rack focusing through touch operation—ensuring you have full creative control of the FX3's powerful AF technology.

In-body optical image stabilisation for handheld shooting

Relying on a new high-precision stabilisation unit, gyro sensors, and optimised image stabilisation algorithms, the camera's Optical SteadyShot™ Active Mode provides precise optical image compensation, for outstanding results for 4K video recording 11 12 , even while walking. With this unprecedented level of stabilisation it's possible to shoot with the camera only, taking advantage of the compact size and mobility.[1] Track of camera shake [2] Standard [3] Active

 Various zoom operations tailor your expression

The zoom lever placed at the top of the grip allows operation of power zoom lenses. Additionally, our innovative Clear Image Zoom provides for practical angle-of-view options even with minimal equipment. Zoom speeds can also be adjusted to suit everything from quick documentary re-framing to purposeful cinematic zooms 

Cage-free accessory mounting

Five 1/4-20 UNC mounting screw holes allow stable attachment of accessories directly to the camera body, without the need for a cage. Three additional mounting holes are also available on the included XLR handle. The result is a system optimised for incredible mobility and hand-held shooting as well as quick setup for fast-moving productions

Touch-driven menu with workflow-based navigation

Responding to requests from pro photographers and videographers, the menu structure has been designed to make moviemakers' work more efficient. Menu tabs are on the left side of the display, while parameter groups and parameters related to the selected tab appear on the right. Up to three levels can be displayed together, making the menu structure more clearly visible. Touch-responsive menu operations enable fast, intuitive control

Reliable, durable, and lightweight construction

For high durability and mobility, the main camera chassis, top, front, and rear covers are constructed from lightweight and robust magnesium alloy, with the lens mount secured by six screws for stable attachment of heavy lenses. A filter in front of the image sensor oscillates at an ultrasonic frequency of 70,000 cycles per second to remove dust from the sensor surface